Εμφάνιση αναρτήσεων με ετικέτα Classical Music. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Classical Music. Εμφάνιση όλων των αναρτήσεων

Πέμπτη 31 Μαρτίου 2011

Τρίτη 1 Μαρτίου 2011

Music Video: Baroque Flamenco



Deborah Henson-Conant, electric harp, with the Grand Rapids Symphony. From the Grammy-Nominated CD/DVD project "Invention & Alchemy."

Video: Classical Music Frédéric Chopin - Prelude in E-Minor (op.28 no. 4) [1 March 1810 Frederic Chopin was born]


Frédéric Chopin-Prelude in E-Minor (op.28 no. 4)

Played by: Aldona Dvarionaite

Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century.

Chopin was a genius of universal appeal. His music conquers the most diverse

Τετάρτη 23 Φεβρουαρίου 2011

Music Video: Tchaikovsky - None But The Lonely Hearts



Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.

This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.

Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.